He has also received an honorary Doctorate Degree in Music from Berkeley College Of Music as well as a second Doctorate from Ashton University in his hometown of Birmingham, England. He is a recipient of the Ivor Novello Outstanding Song Collection and the Musicians Union Classic Rock Award-honors both voted for by his peers. It should come as no surprise to learn that many honors have been bestowed on Steve Winwood. His distinctive Hammond organ has graced such classic fare as Jimi’s Hendrix’s “Voodoo Chile” as well as Miranda Lambert’s recent chart hit “Baggage Claim”. In addition to his many achievements as a solo artist, Winwood remains in high demand for special collaborations with other artists. Winwood continues to perform throughout the world and record new music, furthering his impressive legacy. Subsequent tours of the United States and Japan make clear the lasting appreciation fans have for their unique talents. Their expansive CD and DVD Live At Madison Square Garden was nominated for two Grammy Awards and rewarded their many fans with some of the most exciting performances of their careers. Winwood has since renewed his creative partnership with Eric Clapton. His most recent solo album, About Time, has continued that success, earning Winwood one of his highest Billboard chart entries. Winwood’s solo career has yielded a rich catalog of popular songs including “Back In The High Life,” “When You See A Chance,” “Valerie,” and “Higher Love”. Such a shift should hardly come as a surprise for those who have followed Winwood’s distinguished career.īeginning with Traffic and extending through such landmark solo albums as the Grammy Award winning Back In The High Life and Roll With It, Winwood has nurtured a restless creative spirit, mining rich musical traditions such as Delta blues, English Folk, R&B, and West African calypso and merging these perse influences within his own unmistakable sound. 1977’s solo debut Steve Winwood signaled a bold new artistic direction. In 1970, Winwood reformed Traffic and guided a highly successful run founded on such popular albums as Low Heeled Spark Of High Heeled Boys and Shoot Out At The Fantasy Factory.īy 1975, Traffic splintered as the allure of solo projects and new creative partnerships proved too tempting to resist. Blind Faith staples such as “Can’t Find My Way Home” continue to rank among Winwood’s finest achievements. The international popularity of Blind Faith, the group’s sole album, confirmed their special chemistry. The pairing of Winwood with Cream’s Eric Clapton, Ginger Baker and later, former Family bassist Rick Grech, created what many critics dubbed rock first supergroup. Fantasy and John Barleycorn Must Die confirmed their position as one of the most important British groups of the 1960’s and 1970’s.Įager to try his hand with other creative partnerships, Winwood left Traffic in 1969 to join a new group formed by Cream guitarist Eric Clapton and drummer Ginger Baker. Beloved for their eclectic style and superbly crafted songs, Traffic routinely defied convention to celebrate a host of perse sounds and influences. In 1967, Winwood left the Spencer Davis Group and co-founded Traffic. The international success of these singles bolstered Winwood’s confidence and strengthened his resolve to seek out new rhythmic possibilities. The group enjoyed a string of chart success by way of such enduring classics as “Keep On Running” “Gimme Some Lovin’” and “I’m A Man”. That extraordinary portfolio of music began at the age of fifteen as the driving force of the Spencer Davis Group. Winwood burst into prominence in 1963 with the Spencer Davis Group and since that time his celebrated skills as a composer, vocalist, and multi-instrumentalist have developed an impressive catalog of popular music. For more than four decades, Steve Winwood has remained a primary figure in rock ‘n’ roll, a respected innovator who has helped to create some of the genre’s most celebrated achievements.
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